Susanne Kienbaum

Similar Projects

• ‚Pont Bleu – Pause Bleue‘

  ‚Pont Bleu – Pause Bleue’ Site-specific Light-Object-Installation © Susanne Kienbaum 2006 Dimensions: Illumination of the Thielen Brücke in Berlin-Kreuzberg in the framework of ’48-Stunden-Neukölln’ Materials: 1600 blue water bottles, 1600 LED light sources, bottle boxes, pillows made from grass tissue, two boats with blue light sources floating in the water On invitation the Thielen-Brücke was […]

• ‚Barking Dogs’

  ‚Barking Dogs’ Multimedia-Installation © Susanne Kienbaum 2011 Dimensions: overall dimensions variable; doors up to 200x50x5 cm each Materials: sound, doors, paper shredder, tiles, fern The sound was the originator of this installation: the barking of dogs combined with the chirring of the cicadas…. The walk between walls and doors is becoming even more narrow and […]

• ‚TEASI-Edition‘

  ‚TEASI-Edition‘ Status December 2011 Aquatinta und Prägedruck Auflage / Edition 20 © Susanne Kienbaum 2010-2011

• ‘Transient Survival Spaces N°1 & 2′

  ‚Transient Survival Spaces N°1 & 2’ Multimedia-In-Situ Installation © Susanne Kienbaum 2009 Dimensions: 200x 180x 110 each Materials: wire screen, paper shredder, moss shredder, tiles and hand-writing Concept | Realization: © Susanne Kienbaum Concent Art, Kreuzbergstrasse 28, D-10965 Berlin In order to illustrate the gap between high investments and low outcome of multimedia art installations […]

• ‚UM-WEGE Finden‘

  ‚UM-WEGE Finden’ Site-specific Light-Object-Installation, Artist Book © Susanne Kienbaum 2005 Dimensions: 8 illuminated boxes with hair objects, light chains, overall dimensions variabel Materials: hair, tiles, copper, different light sources Basis for this work were 12 interviews with women who lost their hair through chemotherapy. All interviews were transcribed and written into the artist book which […]

• ‚Collateral Damage‘

  ‚Collateral Damage’ Light-Object-Installation, Video, Artist Book © Susanne Kienbaum 2004 Dimensions: 60x10x10 each of the Light-Objects; overall dimensions variabel Materials: polypropylene, horsetails, tiles, wood, insect lights 7 light-objects illuminated by insect lights show a total of 100 arabic male and female names. The light-objects are places on an underground covered with tiles. The video loop […]

• ‚Mobiles Künstler Atelier | SPAREN’

  ‚Mobiles Künstler Atelier | SPAREN’ Multimedia-Installation © Susanne Kienbaum 2011 Dimensions: overall dimensions variable according to respective scaffold; in this case: 238x200x150 Materials: scaffold; 260 wooden boxes from the nearby market place, wooden box with light source blinking in two colours 60x20x20 The scaffold was used for constructing a mobile studio build by wooden  boxes […]

• ‚TEASI-Project’

  ‚TEASI-Project’ Interactive art project, on-going © Susanne Kienbaum 2010 www.teasi-artists.com The term ‚TEASI‘ is an acronym for: Transdisciplinary–Exchange–of–Artwork–and–Sustainable–Interaction. The TEASI-PROJECT is the designation of an interactive art project, conceptualized and initiated in 2010. The TEASI-Project consists of the following elements: TEASI-Artists TEASI-Laboratory TEASI-Exchange TEASI-Prints TEASI-Edition For further information see  www.teasi-artists.com Concept | Initiation: Susanne Kienbaum […]

• ‚Oleanderüberwachungsanlage’

  ‚Oleanderüberwachungsanlage’ Light Installation including observation camera © Susanne Kienbaum 2010 Material: messing plate, acryl, polypropylene, observation camera Dimensions: 45x25x12 In one night of summer 2009 the two oleanders who are part of the entrance of K: S-p-a-c-e  were destroyed by young people overnight. I decided to build the Oleanderüberwachungsanlage by integrating an observation camera into […]

• ‚Cartas para siete de mis amantes recientes‘

  ‚Cartas para siete de mis amantes recientes’ Object-Light-Installation © Susanne Kienbaum 2002 Dimensions: overall dimensions variable, 160 x 15 x 15 cm each Materials: gaze, PVC, light (mosquito lamps), paper shredder from love letters Installation from 7 light objects each showing the same illuminated text in the upper part – the love poem from King […]