Paperworks

Freitag, November 25th, 2011

‚TEASI-Edition‘

‚TEASI-Edition‘
Status December 2011

Aquatinta und Prägedruck
Auflage / Edition 20

© Susanne Kienbaum 2010-2011


Freitag, November 25th, 2011

‚To Move’

‚To Move’
Series of 4 etchings
© Susanne Kienbaum 2010

Series of 4 etchings with mixed technique (Vernis Mous, Aquatinta, Strichätzung)
Dimensions: 32,0×30,0 cm printed on Bütten 68,0×50,0 cm

Auflage 20

Concept | Realization: Susanne Kienbaum
Fotos: © Susanne Kienbaum
Open Studio | K: S-p-a-c-e Berlin 2010


Freitag, November 25th, 2011

‚Ein Besuch in Tel-Aviv im Jahre 1986’

‚Ein Besuch in Tel-Aviv im Jahre 1986’
Series of 3 photo etchings
© Susanne Kienbaum 2010

Series of 3 photo etchings
Dimensions: à 19,5×12,5 cm printed on Bütten 31×19 cm

Auflage 7

Concept | Realization: Susanne Kienbaum
Fotos: © Susanne Kienbaum
Kioskshop 2011


Donnerstag, Mai 19th, 2011

‚Hannah Arendt: Besuch in Deutschland 1950‘

‚Hannah Arendt: Besuch in Deutschland 1950’
Drawing | Object
© Susanne Kienbaum 2001

Dimensions: 250 x 149 cm
Materials: acryl, paper, collage pieces mounted on self-made cardboard

This drawing and paperwork uses excerpts from an essay written by Hannah Arendt: The essay with the German title ‘Besuch in Deutschland 1950’ was published in 1950 in the United States one year after the first visit of Hannah Arendt in Germany which took place sixteen years after her flight from Nazi Germany. She came to visit Germany in her role as director of the Commision on European Jewish Cultural Reconstruction. During her visit she was writing her 40-pages essay under the title  „The Aftermath of Nazi-Rule. Report from Germany“ which was published one year later in the United States. The German translation was only published 36 years later in the ‘Rotbuch-Verlag’ under the much ‘softer’ title ‘Besuch in Deutschland 1950’, a further translation in 1993, the latter completely under the sign of the end of the GDR and the German reunification. The text collages from 1950 – 5 years after the end of world-war II and Nazi-Germany – cited in this paper work are serving as a reference to the year 2001, approximately 10 years after the incorporation of the former German Democratic Republik (GDR) into the German republik. The collage pieces are derived from the ‘Shelter’-light installation (®) which shows minor language deviations indicating the ‘non-digestion’ of German world-war-II-history in daily life and associated newspaper articles collected during 2001 which was exhibited during the same show.

Concept | Realization: Susanne Kienbaum
Grunewald 79, Grunewaldstrasse 79, D-10823 Berlin

Fotos: © Sebastian Dieckmann


Donnerstag, Mai 19th, 2011

‚Wolfgang Köppen: Tauben im Gras 1950‘

‚Wolfgang Köppen: Tauben im Gras 1950’
Drawing | Object
© Susanne Kienbaum 2001

Dimensions: 250 x 149 cm
Materials: acryl, paper, collage pieces mounted on self-made cardboard

This paperwork uses excerpts from a prosa work written by Wolfgang Köppen in 1950 – 5 years after the end of world-war II – serving as a reference to the year 2001, approximately 10 years after the incorporation of the former German Democratic Republik (GDR) into the German republic. The collage pieces are derived from the ‘Shelter’-light installation (->) which shows minor language deviations indicating the ‘non-digestion’ of German world-war-II-history in daily life and associated newspaper articles collected during 2001 which was exhibited during the same show.

Concept | Realization: Susanne Kienbaum
Grunewald 79, Grunewaldstrasse 79, D-10823 Berlin

Foto: © Sebastian Dieckmann



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