‚Some War, Some Peace’
Installation
© Susanne Kienbaum 2010
Material: ceramics, bronce
Dimensions: 160x30x30 each; overall variable
Seven columns made of ceramics and bronce
Concept | Realization: Susanne Kienbaum
Open Studio | K: S-p-a-c-e Berlin 2010
‚Poetisches Objekt N°01‘
‚Poetisches Objekt N°02‘
Objects
© Susanne Kienbaum 2010
Materials: iron, polypropylen
Dimensions: 30,0×15,0x15,0 cm each
Concept | Realization: Susanne Kienbaum
Fotos: © Susanne Kienbaum
Open Studio 2010
‚Cocoon | Green Portable Spaces’
Installation | Performance
© Susanne Kienbaum 2008-09
Dimensions: 180 x 50 x 50 each
Material: polypropylen, latex garden wire, green suitcase
Performance together with Evelyn Müursepp
Mediascape 2008 and 2009: International Media Artists Meeting, Museum Lapidarium, Novigrad, Croatia
In order to explore the minimum of space adaptable to a human size which still can easily be transported by hand luggage the two portable spaces were in an on-going performance sewed by hand during two summers sitting on the brim of a well in Novigrad. Having finished the two Portable Spaces they were stabilized by inserting meters and were exposed during the exposition Mediascape 2008 and 2009.
In 2009 a performance was performed together with Evelyn Müursepp: the two spaces were carried around the city and their suitability for interaction and giving sufficient shelter was explored.
Fotos: © Susanne Kienbaum, Branka Uzur
‚Rice, Water, Salt’
Light-Object
© Susanne Kienbaum 2007
Dimensions: 25x25x10 cm
Materials: rice paper, acryl, glass, wood
Edition: 7
I was invited to Kioskshop Berlin for the Intervention XXIII.
Referring to wax which is main material of Semjon I used rice paper which has the same appearance but the opposite flexibility: in opposite to wax rice paper breaks easily, in opposite to wax it is ‘hygrophil’ (it attracts water and is going to be destroyed by water).
The rice paper was fixed via acryl glass and fixed within a wooden frame.Therefore the rice paper became the appearance as if it would be floating in the air.
Concept | Realization: Susanne Kienbaum
Kioskshop 2007
‚Rice, Water, Salt’
Site-specific Object-Installation
© Susanne Kienbaum 2007
Dimensions: overall dimensions variable; 7 columms à 280x13x13, 3 columns à 2870x10x10
Materials: rice paper, rubber tube, threat
I was invited to Kioskshop Berlin for Intervention XXIII.
Referring to wax which is main material of Semjon I used rice paper which has the same appearance but the opposite flexibility: in opposite to wax rice paper breaks easily, in opposite to wax it is ‘hygrophil’ (it attracts water and is going to be destroyed by water).
The columns were knotted via threat and hung from the ceiling.
Concept | Realization: Susanne Kienbaum
Kioskshop 2007
‚Intimacy N° 2’
Object-Audio-Installation
© Susanne Kienbaum 2003
Dimensions: archive boxes 15 x 50 x 35 cm, each, feather objects 160 x 35 x 35 cm, each; overall dimensions variable
Materials: feathers, wooden archive boxes, tiles, water
Based on the interview material from 10 men and 10 women of my age on the topic ‘intimacy’ a couple of video works, installations and paper works were generated between 2002 and 2006, one of them being ‘Intimacy N° 2’.
The recipient of this installation can choose between two possible standpoints: the standpoint of the archive boxes or the standpoint of the feather objects: near the archive boxes the intellectual reasoning on different aspects on intimacy can be heard through a seven-channel audio collage and near the feather objects an erotic whispering will be heard accompanied by the sensual touch of feathers touching ones cheek…
Concept | Realization: Susanne Kienbaum
Galerie der Künste | Magistrale, Potsdamer Strasse 98, D-10785 Berlin
Fotos: © Eckehard Schuler, Susanne Kienbaum
‚Cartas para siete de mis amantes recientes’
Object-Light-Installation
© Susanne Kienbaum 2002
Dimensions: overall dimensions variable, 160 x 15 x 15 cm each
Materials: gaze, PVC, light (mosquito lamps), paper shredder from love letters
Installation from 7 light objects each showing the same illuminated text in the upper part – the love poem from King Salomon – while the gaze tubes are filled with shreddered love letters.
Concept | Realization: Susanne Kienbaum
Imug: der Galerie SPHN, Koppenplatz 6, D-10115 Berlin
Foto: © Susanne Kienbaum
‚Rubikon, Rot, Rot’
Installation | Artist Book
© Susanne Kienbaum 2002
Dimensions: variable
Materials: 42 balls: 7 made from bronce, 35 from feathers
This installation is referring to the discussion of PID (pre-implantation diagnostics) and is inspired by a couple of newspaper articles referring to frozen embryos and associated law quarrels throughout the world. In the artist book which is part of the installation (not shown in the foto documentation) these newspaper articles as well as scientific and philosophical input can be found and read according to personal taste.
The installation is together with ‘Weicher Raum No 1’ (->) part of a double installation under the overall title ‘Rot, Rot’.
Concept | Realization: Susanne Kienbaum
Imug: der Galerie SPHN, Koppenplatz 6, D-10115 Berlin
Foto: © Sebastian Dieckmann, Susanne Kienbaum
‚Toys II’
Objects
© Susanne Kienbaum 2001
Dimensions: 30x15x15 cm, each
Materials: bronce
Concept | Realization: Susanne Kienbaum
Foto: © Susanne Kienbaum
‚Toys I’
Objects
© Susanne Kienbaum 2001
Dimensions: 15x15x15 cm, each
Materials: bronce
Concept | Realization: Susanne Kienbaum
Foto: © Susanne Kienbaum
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